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The "SCELLI" Studio in the town of Spoleto
16th century 'studio' with frescoed walls
and painted wooden ceilings |
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Description and historic
background |
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Located in the very heart of the historic centre of the town of
Spoleto, in a small alley called Fiordispina Lauri, whose name bears
the memory of a romantic and tragic love story between a young woman
and her husband Filolauro Lauri who lived in a nearby Palazzo in the year
1500, a few steps from
the Piazza del Mercato (in Roman times the forum), this enchanting
Studio was an annex to the 16th century Palazzo Scelli. This building
had its main façade onto the main road, Via Monterone (see
photo), which was the
urban part of the old Roman road called Flaminia, while the annexes
were situated at the back.
The origin of the name of the complex is due to the pained coat
of arms that represents three silver moons (in the Spoleto dialect,
"tre scelle") on a red background (see
photo). Local tradition has it that the
small annex was the "professional studio" of Fedro Scelli who, towards
the end of the 16th century, was such an eloquent lawyer to be
nicknamed
"Muzio Scevola" Scelli. He liked it so much that he
added it to his own name and in his studio, he had the name painted
on the wooden beam that supports the ceiling, "Fedrus Scevola
A.D.MCLXXX ". See photo
The Roman hero as he is stoically placing his hand on the
burning brazier is also painted in one of the scenes.
The building: Two rooms for a total of about 60 square metres,
a beautiful antique stone fireplace, three big windows and an
enchanting small one that had been bricked up and that was reopened
during the restoration, from which one enjoys a view over the late
18th century church of S. Ansano and the Arco di Druso e
Germanico, dating back to the 1st c. A.D. See
photo
The interior: While rather plain on the exterior, in the
interior the building has beautiful frescoes on the top part of
all the walls in both rooms and paintings on the wooden ceilings in
blue with golden decorations. See photo
In the first room as one goes in, there are various scenes of Roman
history divided by figures of 'putti' (see
photo):
Orazio Coclite, the she-wolf with Romulus and Remus, Horatii and Curiatii, Lucretia, Muzio Scevola
(see above), etc.
In the second room one can find represented themes from the Old
Testament: Adam and Eve, Abraham and Isaac, Noah rescued from the
waters,
etc.
Halfway between the sacred and the profane, this cycle of paintings,
the work of a modest but skilled local painter (supposedly called
Livi) has been preserved as a unique document of an
elegant taste that has fortunately survived to our present times.
Present condition of the building: After being the "refuge" of
the Abbot Luigi Fausti, a local erudite, writer and in charge of the
nearby Biblioteca Comunale (the local Communal Library) at the
beginning of the 20th century, the small building was used as a store
room for the art objects that Canzio Sapori, another erudite from
Spoleto, collected throughout his lifetime. Its restoration has been
carried out respecting and underlining the original features and
characteristics of the place while at the same time creating a
contemporary living space.
Restoration: The architect Giuliano Macchia from Spoleto has
been the "advisor" rather than the director of the restoration of this
building. A personal friend of the present owner, they share the same
passion for the preservation of every possible piece of history of
their beloved town.
Every original feature has been preserved, including the 19th century
windows, and the only addition has been the necessary creation of a
bathroom above which is a "soppalco" (mezzanine) that creates a lovely
extra space bringing one in close contact with the frescoes of the
upper part of the walls and of the wooden ceilings. The metal beams
remind one of the colours of the frescoes (see the beams painted in
the Babel tower scene). All the other modern additions such as the
panel that separates the bedroom, the big kitchen partition, the
fireplace screen, etc. have also been made to fit in with the colours
of the frescoes.
Nowadays the restored apartment is like a small jewel, a proof of the
talent of the artists / artisans from Spoleto basically unchanged since
the 16th century. The unknown masters of the past have been
approached with a sense of respect but without fear of comparisons by
the restorers of the Tecnireco who have taken care of the work of
consolidation and cleaning of the frescoes and of the painted wooden
ceilings; by the decorators Giuseppe and Massimo Viti who have dealt
with the painting of the walls, the artist Franco Troiani, the marble
artisan Francesco Orfei, the carpenter Aleandro Pennella and his
workshop, the ironmonger Isauro Medori, the building company Fratelli
Menichini who have supervised the restoration work. All of them are
from Spoleto.
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